The 2012 Kodak Salon run by the Centre for Contemporary Photography, Melbourne.
This great rollicking show of Contemporary Photography runs annually in all four galleries of the CCP in George St, Fitzroy. I have hung images in the show for the last three years. Never been down for the opening but would love to one year. It looks like a lot of fun from the image posts, and also would love to be in the midst of so many photographers looking at so many images.
This year would have been a good one to attend, in fact this year I was specifically called and invited. Just checking my catalogue entry and by the way will you be at the opening (wink, wink). This year I had the good fortune to win one of the categories with one of my images. The Kayell Best Inkjet Print. (feeling very chuffed)
Now there are some people who think that making a good inkjet print is just a matter of turning up at the printers and leaving your digital file and collecting the print five days later (who knows why this takes so long sometimes) Not this time jack. I printed this image myself, as I do all of my images. I have a wonderful printer to use, the Epson Pro Stylus 9900, and I printed on a terrific paper, the Hahnmuele Bright 100% Cotton Rag (thanks CW), but as they say, you can't get blood out of a stone.
The good image starts with a good exposure, shadows/highlights etc, preferably on a RAW file. The file is converted to a DNG file and initial adjustments made in Adobe Camera RAW. Brought into Photoshop the image is fine tuned, colour, contrast, local tonal adjustments and sharpening. If you ever look at the way an 'Ansel Adams' works a print you would know that there is nothing straight forward about the process of printing. Honestly I never developed the patience or skill of Mr Adams when I worked in the darkroom. To some extent, but never to his ultra-high level of expertise. Photoshop gives me the time to think about what I want to do. It allows me finesse the highlights and fill out the shadows. It allows me to darken that little area just below the tiles on the facade at the right and enhance the texture of the peeling paint across the centre of the cladding. I can balance the small areas of red with the overwhelming amount of green in the foreground and background. I can take my time and try things out in a way not really possible, for me, in the darkroom. Tools like Photoshop bring us all a little closer to Mr Ansel Adams. Imagine what the master would do with something like Photoshop. Actually I can imagine he would throw it out the back door and stick to the darkroom.
If you have the opportunity and can get down to Melbourne pop into the show. You are bound to see many, many images that surprise and delight you. Thanks CCP
Saturday, 24 November 2012
Tuesday, 20 November 2012
A couple of randoms
Just throwing in a couple of random images from last time in Melbourne. No meaning to glean. I just liked the images when I saw them and I have finally got them on the road. That's all.
There are many more to come....
There are many more to come....
Wednesday, 14 November 2012
Heading on to Head On - Two Chairs
Head On Photo Festival is again about to be upon us. Well, there is a call for proposals. Today a sneak peak at the work I am putting forward to be exhibited next year.
To be honest I had thought I may skip this year as I have shown in half a dozen exhibitions this year including my solo show in Head On, "The Distracted Sky". The time calling for proposals this year was remarkably short for Head On, and I have been considering putting in a proposal for a show in the Ballarat International Foto Biennale.
However browsing through my image folder I happened upon this idea of two chairs which I had apparently been collecting unconsciously and unawares. I like that.
The series speaks to the notion of companionship, loss and solitude. Two chairs sit patiently, quietly waiting for activity to acknowledge their existence. Alone yet watchfully keeping in place the environment, those who claim this space as their own and the time that passes un-noted and unnoticed.
I'll be dedicating this series, Two Chairs, to my Mum and Dad.
To be honest I had thought I may skip this year as I have shown in half a dozen exhibitions this year including my solo show in Head On, "The Distracted Sky". The time calling for proposals this year was remarkably short for Head On, and I have been considering putting in a proposal for a show in the Ballarat International Foto Biennale.
However browsing through my image folder I happened upon this idea of two chairs which I had apparently been collecting unconsciously and unawares. I like that.
The series speaks to the notion of companionship, loss and solitude. Two chairs sit patiently, quietly waiting for activity to acknowledge their existence. Alone yet watchfully keeping in place the environment, those who claim this space as their own and the time that passes un-noted and unnoticed.
I'll be dedicating this series, Two Chairs, to my Mum and Dad.
Saturday, 13 October 2012
Fine Arts in Gosford
Feeling very fortunate again to have two photographs hanging in the Gosford Regional Art Galleries, Art Prize Exhibition. (That's a mouthful)
Please take the time to travel up, down or across to Gosford and have a look at the show. It is very good, and includes photography, ceramics, sculpture and even some painting.
Many exhibitors from TAFE Fine Arts, both staff and student, are represented in the exhibition, with one of our Hunter st teachers taking out the Best in Show ($10k) prize for a wonderful painting. Congratulations to Leslie Tilley.
Please do all the artists a favour and visit the show and support the Fine Arts, as there is not much support coming from our current state government. Shame Barry shame.
The image below is called 'Lost'
Please take the time to travel up, down or across to Gosford and have a look at the show. It is very good, and includes photography, ceramics, sculpture and even some painting.
Many exhibitors from TAFE Fine Arts, both staff and student, are represented in the exhibition, with one of our Hunter st teachers taking out the Best in Show ($10k) prize for a wonderful painting. Congratulations to Leslie Tilley.
Please do all the artists a favour and visit the show and support the Fine Arts, as there is not much support coming from our current state government. Shame Barry shame.
The image below is called 'Lost'
Sunday, 19 August 2012
Into the Black
Neil Young once sang 'Out of the blue and into the Black' Well that's were we are headed. It's been a wait but well worth it for me. The Black is where it all is. There is light and there are the after effects, I'm talking old school here. Whatever is touched by the light, and that's what I want, to be touched, swamped and overwhelmed by the light.
And then... into the black

And then... into the black

Thursday, 16 August 2012
Shoot the Chef
Have been meaning to have a go at this for some time now. Probably a couple of years at least since I heard about this particular event. Shoot the Chef. It sounds kind of dark, but clearly it is all and only about light.
There are many images entered into this prize that have the chef hunching around with animal carcases on there shoulders or, more likely, dead fish somewhere in close proximity. Often standing in a pool or body of water by the sea, the hapless chef endures these creative indignities in the name of art (in whichever dialect the photographer speaks)
I have opted for a plain speaking portrait of my Chef that I hope shows some dignity and honour towards this fine profession. Too many chefs these days I think subscribe to the idea that they are celebrities simply because they are able to cook something and sprout some sort of attitude forth from the television screen. A vague generalisation I know, but this is the way it seems to me. Just take a peek at Celebrity Chef. Why not just call the program 'Chef', or isn't that the point. Fine people like Jamie Oliver at least has done much with his celebrity for the good of the community.
My Chef originally trained in jolly old England at the Savoy Hotel in London no less, is a neighbour and friend of many years. Virginia constantly amazes me be being able to make something tasty, so easily out of almost anything. Cooking is in her imagination. It is an instinct, rather than something she has trained for. Currently Virginia is co-running the Sourdough Baker Cafe in Newcastle. She breathes life into all things.

There are many images entered into this prize that have the chef hunching around with animal carcases on there shoulders or, more likely, dead fish somewhere in close proximity. Often standing in a pool or body of water by the sea, the hapless chef endures these creative indignities in the name of art (in whichever dialect the photographer speaks)
I have opted for a plain speaking portrait of my Chef that I hope shows some dignity and honour towards this fine profession. Too many chefs these days I think subscribe to the idea that they are celebrities simply because they are able to cook something and sprout some sort of attitude forth from the television screen. A vague generalisation I know, but this is the way it seems to me. Just take a peek at Celebrity Chef. Why not just call the program 'Chef', or isn't that the point. Fine people like Jamie Oliver at least has done much with his celebrity for the good of the community.
My Chef originally trained in jolly old England at the Savoy Hotel in London no less, is a neighbour and friend of many years. Virginia constantly amazes me be being able to make something tasty, so easily out of almost anything. Cooking is in her imagination. It is an instinct, rather than something she has trained for. Currently Virginia is co-running the Sourdough Baker Cafe in Newcastle. She breathes life into all things.

Tuesday, 7 August 2012
Stand in - Stands out
Saturday, 21 July 2012
Competitive Blogging

And from my own family no less. My daughter, the soon to be hairdresser to the very beautiful, has restarted her hairdressing blog. Thankfully, I'm her photographer of choice for this project and I've just taken the first couple of shots this afternoon.
It's rather a cute idea. We just watched the film, Julie and Julia, about the woman who determined to cook her way through Julia Child's first American cook book and keep a blog of her adventures. Well my daughter is going to curl and twist, plait and bun, layer and braid her way through a series of collected hair styles, with herself as the model. She will pop the first images up tomorrow but I am here slipping my version of a couple of the images up tonight.
The new blog will be called Hair-Do, I think and I'll link it up when it's on the road.
http://hair-doo.blogspot.com.au/
Wednesday, 11 July 2012
Another Day
Saturday, 7 July 2012
Four Seasons in Two Days
Yes I visited the Four Seasons Motel in Soldiers Point. Climbed the turrets and looked into the abyss. Actually this morning we saw a couple of dolphins in the abyss (or Port Stephens to its friends) I circumnavigated the motel, military style, a covert operation. Disguised as a tourist with a camera. Made my way up to the fourth floor viewing platform, and viewed. Not being sure if I am allowed to be there or not is most of the thrill. Besides the thing about high places with low railings.
I'm here for 10 days, two weeks, maybe a bit longer, I walk the streets, the beach, the lane ways and bush tracks. I see and enjoy seeing. Thanks to Henry and Narelle for the opportunity to have a roof over my head during my time in Port Stephens.
I'm here for 10 days, two weeks, maybe a bit longer, I walk the streets, the beach, the lane ways and bush tracks. I see and enjoy seeing. Thanks to Henry and Narelle for the opportunity to have a roof over my head during my time in Port Stephens.
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