Saturday 19 November 2011

To be or not to be...

Patterns and shapes fill my world. Watching Mr Elvis Costello interview My James Taylor last night. Some great songs and words. James Taylor said that his songwriting over the years has produced many individual songs but that the themes in his work were few. He continued to return to those ideas that were important to him and write something new from his current position. Perhaps he sang it a little more elegantly. (and what a beautiful voice)

I realise when I review my image making over the years that I also have been returning to the same themes and subjects over and over. The surface, shape, texture, angle, and line within my composition that underpin my thoughts are regular reminders of past images. The materials and subjects within my photographs return with regularity. When I'm out taking photographs I don't take a lot of time framing each image, but I do take a lot of care. I know when the composition is right and when it is not, and there is always the choice of whether to open the shutter or move on.

That particular subjects can represent feelings, thoughts and ideas is very intriguing. Why this angle or that piece of rusty corrugated iron. I sometimes shoot blind random images of textured or patterned surfaces. The choice there comes in the editing. The images I keep and those I delete fit into the familiar. I freely acknowledge the influence of other photographers and other images I have seen. The images I like are those that touch me deep below the surface of the subject. The intrinsic nature of certain images has the power to reach out and connect in a powerful way.

Many years ago a friend of mine and I sat in a bar in Gijon, Spain. My friend sat, feet resting on a second chair. A table between us. We sat and talked and every so often he would look across to a painted cast iron column reaching up to the ceiling. I've always liked that column he said with his eyes fixed. Why, I inquired. I don't know he said, I just do.


2 comments:

nicole said...

I've never thought how patterns may influence an artist and their work. Being able to have a record of what you do would highlight it but I wonder do you head for the familiarly in your choices or rebel against it? I want to thank you for the perspective.

James Murphy said...

Hi Nicole and thanks for your comment. That's an interesting question. I guess when I am out shooting I'm always looking for something new, or at least a new way of saying something. When I'm framing a shot the composition is either right or it's not. If it is right then it is familiar because it reflects what I feel or what I want to say. Shooting blind is the limit to rebelling against a formal composition, and I guess that's about as far as you can go in that regard. What bring it back tho the familiar again is the editing.
Some interesting things to consider, thanks again for your comment, James